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Vinland Saga is a Seinen anime and manga written and illustrated by Makoto Yukimura. Vinland Saga centres around Thorfinn a young boy who dreams of going to Vinland, a place covered in fertile soil and green grass, the complete opposite of the frozen Iceland where he has spent all of his life. After a traumatic event, Thorfinn joins up with a mercenary group to train and look for the opportune moment to get revenge...
Vinland Saga is one of the best anime to be released in the summer of 2019, it's mature, emotional, and action-packed with characters you can't help being drawn to. Vinland Saga will be on your mind for a long time, I guarantee it.
Norse history and culture are not something that is usually explored in manga and anime, so it is refreshing to watch a series that is set during times when Vikings were active. It is also unusual for a story with a Viking plotline to feature Vikings as more than just raiders.
Vinland Saga takes place at a time when Vikings had moved on from being mere raiders attacking monasteries, they had progressed to conquerors and had started taking over land and settlements. Nordic culture can be seen in every scene of the anime, from the boats, buildings, and furniture, to the clothes and weapons everything has a Nordic feel.
Makoto Yukimura also blends real historical figures and stories with the fictional elements of Vinland Saga, making it all the more engaging, and the author’s notes in the manga even explain what Makoto Yukimura used as references and his reasoning behind each decision he makes. The consistency in the art/animation also makes Vinland Saga extremely aesthetically pleasing to watch.
Although the manga was originally classed as Shōnen (mainly aimed towards teen boys) it was quickly moved to Seinen (marketed towards adults). Vinland Saga is more grounded in realism relative to some manga and characters have to deal with difficult subjects.
The series features some great action sequences, but the violence tries to avoid being gratuitous-although creative liberties are taken-with the wounds inflicted taking a realistic time to heal and having true-to-life consequences.
In the first few episodes of the anime, the main character, Thorfinn (Yûto Uemura), has all the makings of an idealistic Shōnen protagonist, however, he is rapidly brought back down to earth by the traumatic events that occur, as well as what he has to do to survive afterward.
While Thorfinn starts off naïve and optimistic, he doesn’t stay that way and has to recognise some of the harsh realities of the world he lives in at a young age. Because of these experiences, Thorfinn gets stuck on a path toward revenge, and by the time he is a teenager he is violent, angry and full of angst.
Thorfinn’s father Thors (Ken'ichirô Matsuda), once known as the Troll of Jom for his skill in combat, rejected a life of violence after his daughter was born and abhors killing, believing that violence should be a last resort and even then only carried out with fists.
Although Thors tries to teach Thorfinn the dangers of violence and convince him to adopt his outlook, Thorfinn is too enamoured with the concept of war and battle to listen and later too obsessed with revenge.
However, as Thorfinn has more experiences and grows as a character his views start to change and he becomes more mature. Thorfinn’s development is more pronounced in the manga, which is ahead of the anime, and Yukimura writes Thorfinn’s evolution in a realistic way so, while it takes time, it is done very skilfully.
As well as Thorfinn, the rest of the main cast and many of the side characters in Vinland Saga are not simply two-dimensional. They have complex motivations and goals, and the anime makes it clear that no one is stereotypically ‘good’ or ‘evil,’ people have different views which can cause them to end up on opposing sides.
Because of this, it is difficult to hate anyone even though most people aren’t very good-natured, they may be acting in an antagonistic role one episode but be cooperative the next. Although Thorfinn starts off as the titular character, he takes a more supportive role at times, so you can’t help but become more invested in the other characters such as Askeladd (Noaya Uchida) and Canute (Kenshô Ono).
While the anime and manga are more slow-burning than you might expect from a story set in the Viking era, don’t let that fool you. Vinland Saga consistently treats its viewers to some amazing action sequences and though most of the series is more grounded, the fight scenes are elaborate and inventive (Thorkell hurls logs hundreds of metres for crying out loud, definitely some creative liberties taken).
I would expect nothing less from Wit Studio who are responsible for bringing the action-packed Attack on Titan to life. As well as this, because the series is Seinen, not Shōnen, the conflicts can be even more brutal and graphic. Although some of the fights are unrealistic, they are choreographed in a way that just about seems plausible, so the action sequences do not end up jarring with the rest of the episodes.
As mentioned before Vinland Saga is animated by Wit Studio who also did works such as Attack on Titan and Seraph of the End; therefore, they’re well versed in animating large set pieces and big action sequences and their experience is evident in Vinland Saga’s many wars and battle scenes.
CGI is kept limited, only being used when the scenes truly require it, so it doesn’t grate with the rest of the animation. Each scene is beautifully done, emphasising just the right areas of each scene, set against impressive backgrounds and settings.
What a lot of anime productions do is have composers write what they call stock music, the director can then choose which pieces to use-musical pick n’ mix if you will-it’s an approach that has been proven to work well.
Vinland Saga did not use this strategy. Instead, the composer Yutaka Yumada wrote music for each episode individually, treating each episode as if it were a film, catering to its specific needs. Because of this, the music for each scene is much more intimate and meaningful, enhancing the emotions within the scene and making it feel tenser, or depressing, or angry, etc. in just the right amounts.
Due to Thorfinn’s objective being to get revenge on those who have wronged him, it could be expected that once he has succeeded or failed his story and the anime would end.
This is not the case. The manga and anime subvert expectations by proving that revenge is not the be-all-and-end-all, emphasising the fact that life goes on. With season two confirmed and on its way, viewers can look forward to finding out what Thorfinn and everyone else is going to do next.
Along with everything else, Vinland Saga puts out a lot of thoughtful messages, contesting different religious views without condemning them. Making you think about violence, the way it was used, and the effects it had on people both positive and negative.
Just because Thors, Thorfinn's dad, became a pacifist and against violence doesn’t mean he is in the right, for example, and Vinland Saga doesn’t try to suggest that he is. Yukimura is careful to explore different sides of different arguments and point out both the flaws and benefits without being patronising or biased. He has obviously done his research, and this is conveyed in the writing of his characters.
Vinland Saga is an incredible piece of work, especially as it combines real historical figures and events with intimate and emotional stories. It is brought to life by brilliant actors and animators who are able to capture the emotion of every scene, and produced by a company who clearly knows what they’re doing. If you haven’t already watched it I would suggest doing so, so you’ll be ready for season two, maybe even go ahead and read the manga while you’re at it.