Hallmark Hall Of Fame’s ‘The Magic Of Ordinary Days’: A Review And Reflection

**The Magic of Ordinary Days: A Hallmark Classic Worth Revisiting**

Among the many Hallmark films I've enjoyed, *The Magic of Ordinary Days* stands out as a memorable gem. My first viewing was likely on CBS, long before I recognized Keri Russell or Skeet Ulrich. It was also one of the first films to feature Asian American characters on-screen, which left a lasting impression on me. Recently, I revisited this Hallmark Hall of Fame movie on Hallmark Drama, and I felt compelled to share my reflections from years of watching it.

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**Overview of the Film**

*The Magic of Ordinary Days* first aired on January 30, 2005, as part of the Hallmark Hall of Fame series. Directed by Brent Shields and written by Camille Thomasson, the film stars Keri Russell as Olivia "Livy" Dunne-Singleton and Skeet Ulrich as Ray Singleton. Set between July 1944 and Spring 1945, it explores themes of love, societal expectations, and the impact of World War II on everyday life.

**Plot Summary**

Livy, an archaeological graduate student, finds herself in a precarious situation when she becomes pregnant out of wedlock. To escape her circumstances, her reverend father sends her to the rural Colorado countryside to marry Ray, a farmer. This poignant narrative unfolds against the backdrop of the Second World War and the Japanese American internment camps.

For those interested in learning more, you can visit the Hallmark Drama website.

**Where to Watch**
- Stream: Sling TV, Prime Video
- DVD

**A Unique Take on Societal Issues**

Many Hallmark viewers are familiar with the *Love Saga* series, which similarly features a pregnant woman seeking a home during the winter. However, *The Magic of Ordinary Days* addresses the more scandalous theme of an unwed pregnancy, which was quite provocative for the 1940s. The film does not shy away from real issues, offering a nuanced look at Livy and Ray's challenges. While maintaining a PG rating, it subtly explores the complexities of the time.

Additionally, the film courageously touches on the Japanese American internment camps, a topic rarely addressed in cinema. This choice marked a significant step for Hallmark, even in 2005, highlighting the injustices faced by Japanese Americans during the war.

**Character Depth and Performances**

Keri Russell and Skeet Ulrich deliver deeply affecting performances. Livy arrives in La Junta guarded and aloof, yet Russell's portrayal elicits audience sympathy. Ulrich’s Ray, though seemingly simple, is rich in complexity. He conveys a profound emotional depth without resorting to stereotypes. 

Both characters grapple with their prejudices: Ray initially distances himself from the Japanese American field workers, only to gradually recognize their humanity through Livy's challenges. Conversely, Livy, who initially dismisses the rural community, discovers hidden depths and connections within her new surroundings.

**Visual and Technical Aspects**

The film opens with a stunning vista of the Colorado plains, though the title card's font choice—reminiscent of Comic Sans—distracts from the beauty. Additionally, a flashback overlay on a train window may come off as cheesy, but it is forgivable within the context of a TV movie.

**Final Thoughts**

*The Magic of Ordinary Days* continues to resonate with me as one of the most impactful Hallmark films. While it shares similarities with *Love Comes Softly*, Livy’s backstory and the WWII backdrop give this movie its own unique identity. Despite its formulaic script, the talented cast breathes life into the characters, particularly Ulrich's portrayal of the introspective Ray, who communicates volumes without many words. If you appreciate period dramas and the charm of classic Hallmark films, this movie is definitely worth a watch.

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